This piano piece explores the Korean idea of aftertone via interval-colour resonances and string aftertone as well as a Japanese intensification structure, c.7'0 Recorded on the CD, Double Resonances, Wirr.017 available online ISMN M72600569
Clarinet, Cello, PianoBased on two fragments of music: a triplet be-bop rhythm and a sad falling Maoriwaiata fragment. c.9'0ISMN M720041810
Mezzo-soprano and piano, c.17'0 Filipino-jazz inspired music theatre. Poetry by Merlinda Bobis. Recorded by Lotte Latukefu, m-sop, Merlinda Bobis, chanter and Ian Munro, piano, on the CD, Double Resonances, Wirr.017 available online ISMN M720065076
Piano and percussion, c.17'0 Written for the Music of the Spirit concert at the Aurora Festival, Sydney on 19 April 2008. Percussionist: (kulintang, crotales, vibraphone, bass drum, Korean Temple gong, suspended cymbal, Peking Opera gong, 2 roto-toms [low, middle], ching [suspended], 3 bongos [low, middle, high], K’kwaenggwari) Recorded by Bernadette Balkus (piano) and Claire Edwardes (perc) on the CD, Double Resonances, Wirr.017 available online Also recorded on the CD, Music of the Spirit, Wirr.011 available online ISMN 979 0 720078274
Violin, viola, celloReflects the music's philosophical mood, of quiet indignant resistance that turns to fierceunity against tumultuous times, c.17'0Performance by New Asia String Quartet in USA on May 1, 2005 Recorded on the CD, Double Resonances, Wirr.017 available online ISMN M720007861
Piano solo, c.3'0 Majesty explores rich interval-colour sonorities juxtaposed with melodic fragments based on an equal temperament approximation of the kyemyonjo scale from Korean folk music. ISMN M720060729
Violin, percussion and piano, c.10'00 The heart of the sounds draw on the poignancy of the Korean kyemyŏnjo scale a s the basis for the Pansori-like—traditional speech-song form—as a type of bruised utterance that emerges from noise to flower in lyricism. This work is availble online - Creative Explosion, Wirr 028 ISMN 9790720101996
Solo piano, c.5'00 The work was inspired by the Chinese literati philosophy where subtle hidden sounds of yun sit alongside more robust qi energy. Hidden half timbres from rubber-stopped and finger-dampened strings, as well as silently undampened strings as resonators for attack dyad resonances gradually build to and decay from juxtaposed colour blocks of sound strewn across wide resonances as a type of qi inspired energy. ISMN 9790720106014
