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Freefall

By Diana Blom

Regular price $15.00 Sale

For two pianos, c.4'05

This piece is a four voice fugue which draws on several fugal devices, plus minimalist episodes, as it moves from the high register of the pianos to the low. 
Composed 2016
Hard copy purchase include two scores.

Recorded on New Music for Multiple Keyboards CD (Wirr 089) is available online


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ISMN9790900979827

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French Suite

By Justin Michael Mckay

Regular price $30.00 Sale

Solo piano.  Grade 7

Seven movements in a familiar form -  from the florid and ornate Sarabande to the entertaining Passepied, with each of the movements developing a different meter and character.  Composed 2014

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    ISMN 9790720151144
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    Freygish Blue, A

    By Karlin G Love

    Regular price $10.00 Sale

    Solo piano.  Grade 5-6

    This piece draws on blues structures and Klezmer harmonies, in particular the freygish mode.  Composed 2016

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    ISMN 9790720209074
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    Friendly Beasts, The

    By Colin Brumby

    Regular price $10.00 Sale

    SATB accompanied with optional solos.


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    ISMN 9790720093987
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    Frogs (Dickinson)

    By Nigel Butterley

    Regular price $20.00 Sale

    Medium to high voice and piano, c.2'00. AMEB Manual List D, Level 3 Licentiate

    From the strange and evocative poems of Emily Dickinson (1830-1886), a cycle of three short songs.
    Composed 1995


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    ISMN M720065069 

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    From a Bridge of Dreams

    By Australian Composers

    Regular price $85.00 Sale

    An album of sheet music of 22 flute and piano works by various Australian Composers. The album also includes the CD of the complete works.

    • 1. Serenade (Ian Cooper) - grade 5
    • 2. Calling the Turtles In (Frank Millward) - grade 5/6
    • 3. Nawang Wulan (Betty Beath) - grade 4
    • 4. From A Bridge of Dreams (Betty Beath) - grade 5
    • 5. Music for Gillian (Betty Beath) - grade 6
    • 6. Locana (Michael Dixon) - grade 8
    • 7. Locana's Consort (Michael Dixon) - grade 8
    • 8. Inner Life (Michael Dixon) - grade 8
    • 9. Evanston Song (Nigel Butterley) - grade 8
    • 10. The Wind Stirs Gently (Nigel Butterley) - grade 8
    • 11. Sunflowers (Wendy Suiter)
    • 12. Silver-Eyed Gull (Brennan Keats) - grade 8
    • 13. Ann and Del in Oz (Ann Carr-Boyd) - grade 5
    • 14. Ann and Del (Ann Carr-Boyd) - grade 5
    • from Over the Quiet Waters:
    • 15. Over the Quiet Waters (arr Brennan Keats) - grade 5/6
    • 16. Mermaids (arr Brennan Keats) - grade 5/6
    • 17. By the Lily-Pond (arr Brennan Keats) - grade 5/6
    • 18. I Will Build My House in the Water (arr Brennan Keats) - grade 5/6
    • 19. Plucking the Rushes (arr Brennan Keats) - grade 5/6
    • 20. Goldfish (arr Brennan Keats) - grade 5/6
    • 21. Sea Breeze (arr Brennan Keats) - grade 5/6
    • 22. The Valley Lay Smiling Before Me (Horace Keats) - grade 5/6

    Audio samples are accessible by viewing the CD listing of From A Bridge of Dreams (Wirr005) available online

    All works are available individually online including audio samples.

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    ISMN M720065373

    $65.00 for PDF instant download of score and parts:Buy Now 

    From a Bridge of Dreams

    By Betty Beath

    Regular price $20.00 Sale

    Flute and piano, c.3'30
    Available on CD From a Bridge of Dreams (Wirr 005), performed by Emma Knott (flute) and David Miller (piano); also within an album of sheet music by the same title with 22 flute works, available online


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     ISMN M720060910

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    From a Lake of Honey (cello)

    By Betty Beath

    Regular price $20.00 Sale

    Cello and piano, c.4'00.  Grade 7
    A piece which might 'sing'. It is really a landscape of the mind, a simple musical work. It gives opportunities for an imaginative collaboration between performers and audience as they 'journey' to a 'lake of honey'.


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     ISMN 9790720078328

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    From a Lake of Honey (modified double bass)

    By Betty Beath

    Regular price $20.00 Sale

    Modified double bass and piano, tuned A D G C, c.4'00

    This piece was written for Allan Von Schenkel's instrument, the Solo Bass, tuned one fourth higher than the orchestra bass. "I do this", he said, "because it has a colorful solo voice with a wide range and because it removes many of the technical limitations of the bass" and "I read music at the sounding pitch like the cello".  From a Lake of Honey is a piece which might 'sing'. It is really a landscape of the mind, a simple musical work, which gives opportunities for an imaginative collaboration between performers and audience as they 'journey' to a 'lake of honey'.


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     ISMN 9790720078342

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    From a Quiet Place

    By Betty Beath

    Regular price $40.00 Sale

    Three pieces for viola and piano. c.11'30

    Meditative pieces influenced by the magical sound of singing bowls and bells from Nepal -their vibrating voices may be infinitely sweet as well as robust and dynamic. 

    Movements I and II - AMEB Manual List D, Level 2 8th grade

    Recorded by Patricia Pollett, viola and Colin Spiers, piano on the CD Music of Betty Beath  (Wirr 024) available online.

    https://youtu.be/WfgetNrGfhY


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    ISMN 9790720078212

    $30.00 for instant PDF download score and parts  Buy Now

    From Fire by Fire

    By Peter Rankine

    Regular price $60.00 Sale

    Quartet for mixed ensemble - flute, violin, horn, cello, c.18'00

    The work takes its title from a lyric of Little Gidding, in T.S. Eliot’s Four Quartets. This poem inspired and nourished the composer during the creation of the work. It did this because it speaks eloquently of the creative process itself: tumult; achievement and loss; and mystery. And it did so because the exploration of Time and Eternity is evocative and compelling and seems to address the heart of the mystery of being. To find a musical representation of this interplay and co-existence between “the timeless and time” was a principal inspiration for this work.
    Composed 1989, 2nd Ed 2017
      

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    ISMN 9790720172590
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    From Fire Country

    By Andrew Schultz

    Regular price $20.00 Sale

    Solo Bass Clarinet in Bb, c.5'40. Grade A.Mus.A
    AMEB Manual List D, Level 3 Licentiate

    The title derives in part from the work "Journey to Horseshoe Bend", which was composed just before this work. The third section of that work is set in a desolate landscape of red cliffs and burnt rocks known as "Fire Country" in Aranda Aboriginal mythology. The bass clarinet perhaps evokes the desolate quality of a landscape after fire.


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    ISMN M720072777

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