Catalogue
Lament for the Victims of War (piano solo)
By Betty Beath
Regular price
$25.00
Solo piano, c.7'00. Suggested Grade 8 / diploma.
Previously Lament for Kosovo, originally composed during the tragic events in Yugoslavia in 1999 but as the tragedy of war has widened to many parts of the world, the title now refers to all victims of war. The Lament expresses sorrow for the suffering of all people caught in war and destruction. This work has been developed for string orchestra.
Lament for the Victims of War
http://www.youtube.com/watch?v=JodPZe3VJEQ
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ISMN 9790720133461
Lament for Victims of War (chamber orchestra)
By Betty Beath
Regular price
$60.00
![](https://cdn.shopify.com/s/files/1/0018/5896/1460/files/Lament_orchestra_sc_Beath_480x480.jpg?v=1571805190)
Written originally for mandolins and later for piano, the composer believed that the work needed the warmth and voice of strings to commuinicate the Lament for Kosovo but also for the suffering of those in the East Timor conflict.
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ISMN M720065939
$45.00 instant digital download score and parts
Lamentations
By John Wayne Dixon
Regular price
$45.00
![](https://cdn.shopify.com/s/files/1/0018/5896/1460/files/lamentations_edited-1_480x480.jpg?v=1636085925)
A symphonic string section, rather than chamber strings, is required, with an absolute minimum of four contrabasses - requires professional-standard players.
Parts available on request keats@wirripang.com.au
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ISMN M720011820
Land of Cruelty
By Peter Mcnamara
Regular price
$175.00
For amplified, ring-modulated oboe soloist and orchestra
The works incorporates a form of real-time electronic processing to the soloist’s part known as ring-modulation. This occurs when the amplified signal of the oboe soloist is multiplied together with a modulating frequency provided by an obligatodouble bass player, creating a harsh but vivid sonority reminiscent of the Australian landscape.
Land of Cruelty’s narrative is the depiction of harsh landscape transitions evident in our continent where an area can be densely covered in life one year, but completely dry and devoid of life the next. The oboe soloist is the navigator of this journey and depicts the ‘voice of the land’, with much of its melodic material influenced by transcriptions of Australian Aboriginal melodies. The pitches of one melody entitled Malayah (quoted at the opening and closing of the work) are multiplied together to create the various ring-modulated effects. Each section of the work is defined by a ring-modulated sonority realised by the oboe soloist and double bass that is then re-synthesised by the orchestra before transitioning into a more harmonious sonority. These orchestrated colours provide a sonic canvas, crafted and moulded over time, over which the oboe soloist is placed.
Composed 2018
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ISMN 9790720227795
$130.00 for instant PDF score and parts download
Land of the Long White Cloud
By Ann Carr-boyd
Regular price
$80.00
![](https://cdn.shopify.com/s/files/1/0018/5896/1460/files/LAND_OF_THE_LONG_WHITE_CLOUD_480x480.jpg?v=1571890708)
Requires competent playing technique.
An impressionistic work which evokes the hazy and changing shape of clouds by employing the unique tremolo sound of the mandolin orchestra. A contrasting middle section in 6/8 provides an interlude in a faster tempo. The work was commissioned for the 2011 Australasian FAME Festival in Auckland.
Composed 2010.
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ISMN 9790720159560
Landscape of Diffracted Colours
By Peter Mcnamara
Regular price
$80.00
![](https://cdn.shopify.com/s/files/1/0018/5896/1460/files/Landscape_Title_480x480.jpg?v=1636349542)
The work's title refers to the many different colours found in the Australian landscape and how the light of these colours can be bent and diffracted. Some of this imagery includes shimmering, where light is bent by Australia's extreme heat and the rich and dark colours of sandstone, which is visible because of reflection and diffraction from elements of its composition.
The work's harmonic material is based on the harmonic series of four fundamentals. The ensemble and electronics work together to synthesise various tone colours and transform them over time. There is also interplay between the two parts where the colouristic resonance of the ensemble is morphed into a different colour by the electronic part.
Includes parts, and pre-recorded electronic surrounds CD. DVD is available on request: keats@wirripang.com.au
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ISMN 9790720078311
Download pre-recorded electronics: Sound file
Largo
By Greg Butcher
Regular price
$60.00
Largo (Handel) - SSAA
By Jocelyn E Kotchie
Regular price
$8.00
![](https://cdn.shopify.com/s/files/1/0018/5896/1460/files/Largo_SSAA_web_480x480.jpg?v=1599719890)
Discount price for multiple copies contact keats@wirripang.com.au
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Largo (Handel) - SSATB
By Jocelyn E Kotchie
Regular price
$5.00
Last Parade, The (D minor)
By John Martin
Regular price
$15.00
![](https://cdn.shopify.com/s/files/1/0018/5896/1460/files/LAST_PARADE_web_480x480.jpg?v=1584928334)
Words by A. B "Banjo" Patterson. Composed 2019
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Last Parade, The (E minor)
By John Martin
Regular price
$15.00
![](https://cdn.shopify.com/s/files/1/0018/5896/1460/files/LAST_PARADE_web_480x480.jpg?v=1584928334)
Words by A. B "Banjo" Patterson. Composed 2019
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Last Verse
By Brett M Mckern
Regular price
$55.00
![](https://cdn.shopify.com/s/files/1/0018/5896/1460/files/last_verse_480x480.jpg?v=1639024026)
10 Descants
10 New Hymn Tunes
This collection provides a variety of hymns that will be useful in an Australian context, as well as further afield, with some tunes hitherto untreated in this way, or rarely set along with some old favourites in a new guise. It is a selection that will have some items to suit those in various denominations of the Christian Church. Some arrangements can be used in more than one verse, others include descants to be sung by trebles/sopranos. See a selection of arrangements and new hymn tunes below.
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- Passion Chorale - sheet music
- Third Mode Meledy - sheet music
- Angel Voices - sheet music
- St Daniel - sheet music
- Lourdes - sheet music
ISMN M720065168