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Composers and Authors

Lamb, The (Blake)

By Horace Keats

Regular price $12.00 Sale

Soprano and piano c.2'00

  • Grade: 6 Included on the Trinity/Guildhall Singing Syllabus
  • Genre: Neo classical
  • Date: 1944
  • Tempo: Marked Andante a delightful and melodious presentation of Blake's well know poem of the same title.

Words William Blake

Recorded on Songs from Australia (Wirr 004) by Wendy Dixon and David Miller

available online

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ISMN M720007014

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Lamb, The (Blake) - SA, two flutes

By Brennan Keats

Regular price $12.00 Sale

SA and two flutes, c.3'15

Arranged from the voice and piano setting by Horace Keats with words by William Blake. Composed. 2008. 
Discount for multiple parts contact keats@wirripang.com.au

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 ISMN M720011295

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Lamb, The (Blake) SA and piano

By Brennan Keats

Regular price $12.00 Sale

SA choir and piano, c.2'15

Words by William Blake set by Horace Keats for voice and piano, arranged here for choir. Discount allowed for multiple copies keats@wirripang.com.au 

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 ISMN 9790720140971

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Lament and Dance

By Houston Dunleavy

Regular price $40.00 Sale

Flute, Guitar and Cello, c.8'00
Composed 2004

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ISMN M720041155
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Lament for Gandalf

By Benjamin Loomes

Regular price $15.00 Sale

Cello and piano, c.7'15.  Grade 6/7 AMEB

Composed 2022

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ISMN 9790673142701
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Lament for Kosovo - Mandolin Ensemble

By Betty Beath

Regular price $45.00 Sale

For Mandolin Ensemble, c.5'0
The composer reflects: "The feelings that were uppermost in my heart and mind at that time [of writing this work] emerged in what I saw as a 'lament for Kosovo and for the suffering of all those involved in such conflicts around the world'."
Commissioned for the Sydney Mandolins, 1999.

http://www.youtube.com/watch?v=tjxIXi5naqI&NR=1 Performed here by Providence Mandolins, USA.


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ISMN 9790720078595

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Lament for the Victims of War (piano solo)

By Betty Beath

Regular price $25.00 Sale

Solo piano, c.7'00. Suggested Grade 8 / diploma.

Previously Lament for Kosovo, originally composed during the tragic events in Yugoslavia in 1999 but as the tragedy of war has widened to many parts of the world, the title now refers to all victims of war.  The Lament expresses sorrow for the suffering of all people caught in war and destruction. This work has been developed for string orchestra.

Lament for the Victims of War
http://www.youtube.com/watch?v=JodPZe3VJEQ

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ISMN 9790720133461 

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Lament for Victims of War (chamber orchestra)

By Betty Beath

Regular price $60.00 Sale

For violin 1, 2, viola, cello and double bass, c.10'00

Written originally for mandolins and later for piano, the composer believed that the work needed the warmth and voice of strings to commuinicate the Lament for Kosovo but also for the suffering of those in the East Timor conflict.

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ISMN M720065939
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Lamentations

By John Wayne Dixon

Regular price $45.00 Sale

String orchestra c.13'00

A symphonic string section, rather than chamber strings, is required, with an absolute minimum of four contrabasses - requires professional-standard players.
Parts available on request keats@wirripang.com.au 


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ISMN M720011820

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Land of Cruelty

By Peter Mcnamara

Regular price $175.00 Sale

For amplified, ring-modulated oboe soloist and orchestra

The works incorporates a form of real-time electronic processing to the soloist’s part known as ring-modulation.  This occurs when the amplified signal of the oboe soloist is multiplied together with a modulating frequency provided by an obligatodouble bass player, creating a harsh but vivid sonority reminiscent of the Australian landscape.

Land of Cruelty’s narrative is the depiction of harsh landscape transitions evident in our continent where an area can be densely covered in life one year, but completely dry and devoid of life the next.  The oboe soloist is the navigator of this journey and depicts the ‘voice of the land’, with much of its melodic material influenced by transcriptions of Australian Aboriginal melodies.  The pitches of one melody entitled Malayah (quoted at the opening and closing of the work) are multiplied together to create the various ring-modulated effects.  Each section of the work is defined by a ring-modulated sonority realised by the oboe soloist and double bass that is then re-synthesised by the orchestra before transitioning into a more harmonious sonority.  These orchestrated colours provide a sonic canvas, crafted and moulded over time, over which the oboe soloist is placed.
Composed 2018


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ISMN 9790720227795
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Land of the Long White Cloud

By Ann Carr-boyd

Regular price $80.00 Sale

Flute, accordion and mandolin orchestra -  c. 6'00

Requires competent playing technique. 
An impressionistic work which evokes the hazy and changing shape of clouds by employing the unique tremolo sound of the mandolin orchestra. A contrasting middle section in 6/8 provides an interlude in a faster tempo. The work was commissioned for the 2011 Australasian FAME Festival in Auckland.

Composed 2010.

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ISMN 9790720159560

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Landscape of Diffracted Colours

By Peter Mcnamara

Regular price $80.00 Sale

Mixed ensemble and pre-recorded electronics. c.10'00

The work's title refers to the many different colours found in the Australian landscape and how the light of these colours can be bent and diffracted. Some of this imagery includes shimmering, where light is bent by Australia's extreme heat and the rich and dark colours of sandstone, which is visible because of reflection and diffraction from elements of its composition.
The work's harmonic material is based on the harmonic series of four fundamentals. The ensemble and electronics work together to synthesise various tone colours and transform them over time. There is also interplay between the two parts where the colouristic resonance of the ensemble is morphed into a different colour by the electronic part.

Includes parts, and pre-recorded electronic surrounds CD. DVD is available on request:  keats@wirripang.com.au

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ISMN 9790720078311

Download pre-recorded electronics:  Sound file

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