Print Music
I am Shut Out of Mine Own Heart (Brennan)
By Horace Keats
Regular price
$15.00
Soprano and piano, c.5'30,
- Grade: Lic.Dip
- Genre: Neo classical
- Date: 1937
- Tempo: Moderato, a Brennan love poem, in the words of the composer, one;"Of yearning, and longing..."
Words by Christopher J. Brennan.
Recorded by Jane Parkin and Clemens Leske on A Poet's Composer (Wirr 040) - sample here - and Wendy Dixon and David Miller on Echo both CDs available online
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ISMN M720007151
I can write music- HSC Music 1 & 2
By Joanne Burrows
Regular price
$35.00
$30.00 for instant PDF download
for hard copy click on "Add to Cart"
Finding your musical voice
This is a resource book for the student, the classroom teacher and the private studio teacher with suggestions to inspire creativity and music composition. I believe everyone is capable of writing music. Nick Cave when describing his song writing process stated, “The big problem with song-writing for me is starting a new song. It's the thing where all the anguish exists, not in the writing of the song, but the starting of the new song.”
A range of exercises is included so that students can explore the possibilities of sound in terms of: pitch, duration, texture, register, tone colour, and expressive techniques.
For ease of use
• Most examples and exercises are in simple keys and all exercises can be transposed to suitable keys
• Examples in treble and bass clefs are included, this will enable all students to read and connect with the information presented
• The words triad and chord are used interchangeably to describe three or more notes played together.
Compiled 2018
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ISMN 9790720209135
I Had No Human Speech
By Ross Fiddes
Regular price
$15.00
For low voice and piano, c.4'45.
Words by Roland Robinson
In setting the poem, the composer has endeavoured to capture in music, the poet’s picture of the solitude and grandeur of the Australian outback.
Music samples and complete audio tracks
(The singer is US mezzo, Karen Quicker)
ISMN 9790673140639
I have no life but this ~
By Benjamin Loomes
Regular price
$10.00
SAA choir and piano, c.3'00
A setting of the Dickinson poem, this choral work is ideal for high school aged girls. Whether the words of this beautiful poem are sung as to a deep friend, an unrequited love, or even God, this achingly gentle setting lilts and flows gracefully through the registers of young voices. An ideal vehicle for concert performance or competition this setting is a joy for performers and audiences alike.
Composed 2011
Discount for multiple copies contact keats@wirripang.com.au
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I Heard That Cry - brass trio
By Michael Hugh Dixon
Regular price
$20.00
The title comes from a poem by Chryssy Tintner, which brings forth the memory of a child's primal cry. The music is a twist on a 12 bar blues structure, but here as a 25 bars with each segment of 5 bars repeated in a way to make 50 bars.
Composed 2016
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ISMN 9790720172996
$15.00 for instant PDF download score and parts
I Heard That Cry - tuba
By Michael Hugh Dixon
Regular price
$15.00
The title comes from a poem by Chryssy Tintner, which brings forth the memory of a child's primal cry. The music is a twist on a 12 bar blues structure, but here as a 25 bars with each segment of 5 bars repeated in a way to make 50 bars.
Composed 2016
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I Know Christ Lived
By Paul Paviour
Regular price
$8.00
Discount for multiple copies contact keats@wirripang.com.au
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I Saw My Lady Weep
By Houston Dunleavy
Regular price
$40.00
I See His Blood Upon the Rose
By Vivien Arnold
Regular price
$8.00
SATB choir and piano accompaniment, c.2'00
Text by Joseph Mary Plunkett (1887-1916). Composed 2015
For discount on multiple copies contact keats@wirripang.com.au
I Thought I Heard a Magpie Call
By Margaret Schindler/Philip Mayers
Regular price
$25.00
Margaret Schindler (soprano), Philip Mayers (piano)
The collection covers a wide ground. Some of these songs were never intended to be considered as High Art; written for relatively uncritical consumption, they and others of their sort were aimed at the home music market, at times when singing together around the piano was a common evening pastime. An all-pervading sense of innocence prevails, maybe reflective of the publishing strictures of the times. Choosing the material for this recording was a journey of rediscovery for the artists which resulted in representative appraisals of a past revisited, and you will find amongst the acknowledged classics the sort of tunes some may primly dismiss as too light a fare.
Choosing the name for this CD was not hard. Ask any Australian abroad what remembered sound most triggers their nostalgia, and the inimitable rusty-gate chortle of the magpie will usually be the answer. [extracts from the liner notes by Philip Mayers]
Wirr 076
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1 Mopoke (Alfred Hill)
2 A Bush Bird in a Blue Gum Tree (Horace Gleeson)
3 There's a Whisper in the Air (May H Brahe)
4 The Piper from Over the Way (May H Brahe)
5 The Fairy Bridge (Alfred Hill)
6 The Call of the Maytime (May H Brahe)
7 Idyll (Then Comes the Dawn) (Olive Ingall)
8 The Pixie Piper Man (Leslie Elliott)
9 In Spite of All (Mirrie Hill)
10 Lovely Morning (Horace Gleeson)
11 The Thrush (Edith Harrhy)
12 My Bird Singing (Mirrie Hill)
13 Spring Mirth (John Villaume)
14 By the Moongate (John Villaume)
15 You came to me in May (Edith Harrhy)
16 Flowers of Sleep (Roy Agnew)
17 Come Sleep (Peggy Glanville Hicks)
18 I Thought I Heard a Magpie Call (Alfred Hill)
19 A Little Town (Alfred Hill)
20 Bush Silence (William G James)
21 An Australian Lullaby (Edith Harrhy)
22 Brown Bird (John Villaume)
23 I Heard a Sound of Singing (Mirrie Hill)
24 In Early Green Summer (Marjorie Hesse)
25 Down Sunlit Glades (Mirrie Hill)
26 A Pastoral Madonna (Dulcie Holland)
27 Summer is Dying (Edith Harrhy)
28 Autumn Leaves (Edith Harrhy)
29 In Early Green Summer (Marjorie Hesse)
30 If I Should Make a Garden (Louis Lavater)
31 Our Friend (Alfred Hill)
32 Nature's Requiem (John Villaume)
I Want to be Ready - SAA
By Jocelyn E Kotchie
Regular price
$10.00
SAA Traditional Negro Spiritual, c.2'25
The traditional spirituals which have derived from the African American slaves of the late 18th through early 19th centuries provide a wonderful opportunity for choirs to not only experience this incredibly powerful music, but also to stir the emotional responses of their audiences through clever and often subtle use of dynamics and expression.
Discount price for multiple copies contact keats@wirripang.com.au
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I Want To Be Ready - SAATB
By Jocelyn E Kotchie
Regular price
$10.00
The traditional spirituals which have derived from the African American slaves of the late 18th through early 19th centuries provide a wonderful opportunity for choirs to not only experience this incredibly powerful music, but also to stir the emotional responses of their audiences through clever and often subtle use of dynamics and expression.
Discount price for multiple copies contact keats@wirripang.com.au
Download samples
ISMN M720041612